No Country for Old Men ist mit Abstand der gewalttätigste Film von Joel und Ethan Coen (u.a. Fargo, The Man who wasn`t there, O Brother, where Art Thou?). Trotzdem gleitet der Dolby Digital , Deutsch, Englisch. Extras. Die Arbeit mit. No Country for Old Men - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | tobyhboyd.com - Deutsch: Das ist der erste deutsche Trailer zu No Country for Old Men. No Country for Old Man ist ein US-amerikanischer Thriller von Ethan und.
No Country for Old Men - TrailerNo Country for Old Men ist mit Abstand der gewalttätigste Film von Joel und Ethan Coen (u.a. Fargo, The Man who wasn`t there, O Brother, where Art Thou?). Trotzdem gleitet der Dolby Digital , Deutsch, Englisch. Extras. Die Arbeit mit. No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Offizielle Website des Films (deutsch); No Country for Old Men in der Internet Movie Database (englisch). No Country for Old Men bei Rotten. - Deutsch: Das ist der erste deutsche Trailer zu No Country for Old Men. No Country for Old Man ist ein US-amerikanischer Thriller von Ethan und.
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How did you buy your ticket? View All Photos Movie Info. While out hunting, Llewelyn Moss Josh Brolin finds the grisly aftermath of a drug deal.
Though he knows better, he cannot resist the cash left behind and takes it with him. Neuerer Post Älterer Post Startseite.
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No country for old men Trailer Share. Add to my favorites 0 I like it. Ryan P. Doom explains how the violence devolves as the film progresses.
The strangulation in particular demonstrates the level of the Coens' capability to create realistic carnage-to allow the audience to understand the horror that violence delivers.
Chigurh kills a total of 12 possibly more people, and, curiously enough, the violence devolves as the film progresses.
During the first half of the film, the Coens never shy from unleashing Chigurh The devolution of violence starts with Chigurh's shootout with Moss in the motel.
Aside from the truck owner who is shot in the head after Moss flags him down, both the motel clerk and Wells's death occur offscreen. Wells's death in particular demonstrates that murder means nothing.
Calm beyond comfort, the camera pans away when Chigurh shoots Wells with a silenced shotgun as the phone rings. He answers. It is Moss, and while they talk, blood oozes across the room toward Chigurh's feet.
Not moving, he places his feet up on the bed and continues the conversation as the blood continues to spread across the floor.
By the time he keeps his promise of visiting Carla Jean, the resolution and the violence appear incomplete. Though we're not shown Carla Jean's death, when Chigurh exits and checks the bottom of his socks [boots] for blood, it's a clear indication that his brand of violence has struck again.
Richard Gillmore states that "the previous Coen brothers movie that has the most in common with No Country for Old Men is, in fact, Fargo In Fargo there is an older, wiser police chief, Marge Gunderson Frances McDormand just as there is in No Country for Old Men.
In both movies, a local police officer is confronted with some grisly murders committed by men who are not from his or her town. In both movies, greed lies behind the plots.
Both movies feature as a central character a cold-blooded killer who does not seem quite human and whom the police officer seeks to apprehend.
Joel Coen seems to agree. In an interview with David Gritten of The Daily Telegraph , Gritten states that "overall [the film] seems to belong in a rarefied category of Coen films occupied only by Fargo , which Joel sighs.
There are parallels. The similarity to Fargo did occur to us, not that it was a good or a bad thing. That's the only thing that comes to mind as being reminiscent of our own movies, [and] it is by accident.
Richard Corliss of Time magazine adds that "there's also Tommy Lee Jones playing a cop as righteous as Marge in Fargo ",  while Paul Arendt of the BBC stated that the film transplants the "despairing nihilism and tar-black humour of Fargo to the arid plains of Blood Simple.
Some critics have also identified similarities between No Country for Old Men and the Coens' previous film Raising Arizona , namely the commonalities shared by Anton Chigurh and the fellow bounty hunter Leonard Smalls.
Although Paul Arendt of the BBC finds that " No Country For Richard Gillmore, it "is, and is not, a western. It takes place in the West and its main protagonists are what you might call westerners.
On the other hand, the plot revolves around a drug deal that has gone bad; it involves four-wheel-drive vehicles, semiautomatic weapons, and executives in high-rise buildings, none of which would seem to belong in a western.
William J. Devlin finesses the point, calling the film a "neo-western", distinguishing it from the classic western by the way it "demonstrates a decline, or decay, of the traditional western ideal The moral framework of the West The villains, or the criminals, act in such a way that the traditional hero cannot make sense of their criminal behavior.
Deborah Biancott sees a "western gothic The wanderer, the psychopath, Anton Chigurh, is a man who's supernaturally invincible.
Even the directors have weighed in. Joel Coen found the film "interesting in a genre way; but it was also interesting to us because it subverts the genre expectations.
Gillmore, though, thinks that it is "a mixing of the two great American movie genres, the western and film noir," which "reflect the two sides of the American psyche.
On the one hand, there is a western in which the westerner is faced with overwhelming odds, but between his perseverance and his skill, he overcomes the odds and triumphs.
In film noir, on the other hand, the hero is smart more or less and wily and there are many obstacles to overcome, the odds are against him, and, in fact, he fails to overcome them.
This genre reflects the pessimism and fatalism of the American psyche. With No Country for Old Men , the Coens combine these two genres into one movie.
It is a western with a tragic, existential, film noir ending. One of the themes in the story involves the tension between destiny and self-determination.
According to Richard Gillmore, the main characters are torn between a sense of inevitability, "that the world goes on its way and that it does not have much to do with human desires and concerns", and the notion that our futures are inextricably connected to our own past actions.
Llewelyn Moss Josh Brolin wavers between immoral behavior such as taking money that doesn't belong to him, refusing to involve the police and placing his family in grave danger, and moral acts of courage such as returning to the scene of the shootout to give a dying man water, separating himself from his family and refusing the advances of a comely woman at a motel demonstrating a flexibility of principle, as well as desire to escape consequences and a fierce will to survive at all costs.
Anton Chigurh is the most amoral, killing those who stand in his way and ruling that a coin toss decides others' fate.
The third man, Sheriff Ed Tom Bell, believes himself to be moral, but feels overmatched, however stalwart he might personally be, against the depravity that surrounds and threatens to overwhelm him.
Not only behavior, but position alters. One of the themes developed in the story is the shifting identity of hunter and hunted.
Scott Foundas stresses that everyone in the film plays both roles,  while Judie Newman focuses on the moments of transition, when hunter Llewelyn Moss and investigator Wells become themselves targets.
The story contrasts old narratives of the "Wild West" with modern crimes, suggesting that the heroes of old can at best hope to escape from rather than to triumph over evil.
Devlin explores the narrative of Sheriff Ed Tom Bell, an aging Western hero, symbolic of an older tradition, who does not serve an underpopulated "Wild West", but an evolved landscape with new breeds of crime which baffle him.
The reception to the film's first press screening in Cannes was positive. Screen International ' s jury of critics, assembled for its daily Cannes publication, all gave the film three or four marks out of four.
The magazine 's review said the film fell short of 'the greatness that sometimes seems within its grasp'. But it added that the film was 'guaranteed to attract a healthy audience on the basis of the track record of those involved, respect for the novel and critical support.
The film subsequently increased the number of theaters to 2, It was the 5th highest ranking film at the US box office in the weekend ending December 16, No Country for Old Men is the third-lowest-grossing Oscar winner, only surpassing Crash and The Hurt Locker Buena Vista Home Entertainment released the film on DVD and in the high definition Blu-ray format on March 11, in the US.
The only extras are three behind-the-scenes featurettes. Website Blu-ray. It stated that "with its AVC MPEG-4 video on BD, the picture quality of No Country for Old Men stands on the highest rung of the home video ladder.
Color vibrancy, black level, resolution and contrast are reference quality Every line and wrinkle in Bell's face is resolved and Chigurh sports a pageboy haircut in which every strand of hair appears individually distinguishable.
No other film brings its characters to life so vividly solely on the merits of visual technicalities Watch the nighttime shoot-out between Moss and Chigurh outside the hotel As bullets slam through the windshield of Moss's getaway car, watch as every crack and bullet hole in the glass is extraordinarily defined.
The audio quality earned an almost full mark, where the "bit 48 kHz lossless PCM serves voices well, and excels in more treble-prone sounds Perhaps the most audibly dynamic sequence is the dawn chase scene after Moss returns with water.
Close your eyes and listen to Moss's breathing and footsteps as he runs, the truck in pursuit as it labors over rocks and shrubs, the crack of the rifle and hissing of bullets as they rip through the air and hit the ground Kenneth S.
Brown of website High-Def Digest stated that "the Blu-ray edition of the film However, to my disappointment, the slim supplemental package doesn't include a much needed directors' commentary from the Coens.
It would have been fascinating to listen to the brothers dissect the differences between the original novel and the Oscar-winning film. It may not have a compelling supplemental package, but it does have a striking video transfer and an excellent PCM audio track.
The Region 2 DVD Paramount was released on June 2, The film was released on Blu-ray Disc in the UK on September 8, A 3-disc special edition with a digital copy was released on DVD and Blu-ray on April 7, It was presented in 2.
This release included over five hours of new bonus features although it lacks deleted scenes and audio commentary. The website's critical consensus reads, "Bolstered by powerful lead performances from Javier Bardem, Josh Brolin, and Tommy Lee Jones, No Country for Old Men finds the Coen brothers spinning cinematic gold out of Cormac McCarthy's grim, darkly funny novel.
Javier Bardem, in particular, has received considerable praise for his performance in the film.
Peter Bradshaw of The Guardian called it "the best of the [Coens'] career so far". Richard Corliss of Time magazine chose the film as the best of the year and said that "after two decades of being brilliant on the movie margins, the Coens are ready for their closeup, and maybe their Oscar ".